St. Bernard's Pass

My name is Brandon Bernard. I'm a graphic designer, storyboard and layout artist, and writer. I was born and raised in Albuquerque, NM, and lived in Los Angeles for 12 years, then in Austin, TX, for about a year, and I'm now in Brooklyn, NY. This blog is a virtual scrapbook of things that inspire me. Unless otherwise specified, the work here is not mine. Anything else you'd like to know? Feel free to hit up my "ask" box!


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    The Main Ingredient - Everybody Plays The Fool

    No joke! April’s “Mixology” is ready to download.

    This one is laden with oldies — and I’m not talking about the Main Ingredient or even Chuck Berry. No, I’m not even talking about Tommy Dorsey, although his inclusion isn’t helping the musical age of this mix any. But I’m referring to an atypical preponderance of classical music. Mendelssohn’s “Spring Song” was a must, especially after being alluded to in the Tony Bennett number, “Life is a Song.” Also a must is Vivaldi’s “Spring” from “The Four Seasons,” “recomposed” here by Max Richter.

    The monumental final movement of Beethoven’s 9th symphony, the “Ode to Joy,” takes up nearly twenty minutes of the mix. But it’s completely worthwhile, from its thunderous percussion (following directly from OK Go’s “Let it Rain”) to the unstoppably jubilant finale. But no, I didn’t put it on here twice: that very similar piece you hear later on is actually Brahms’ Symphony No. 1 in C Minor. (Brahms’ First is sometimes referred to as “Beethoven’s Tenth.”)

    While some songs may specifically mention spring and/or April (“Dear Miss Lonely Hearts” from the Cold War Kids, and “Spring Can Really Hang You Up the Most” from Ella Fitzgerald), others are more difficult for me to justify. Alt-J’s “Breezeblocks” was a recent discovery for me, and “These Days,” by Luxury, got randomly stuck in my head the other day, despite the fact that I had not heard it in a long while. I took it as a sign that it belonged in the mix somewhere.

    Click here to download the entire mix, and hear what other oddities I didn’t even find a way to mention here!

    Arctic Monkeys - I Want It All

    It’s a little bit delinquent, but here’s the Mixology playlist for this month! “I Want It All” is one of two tracks from the Arctic Monkeys’ “AM” album that found their way into the mix. Also heavily represented is Mose Allison, the super-hip jazz vocalist who sounds like he can’t be bothered to actually sing, he’s just going to sort of jive his way through the song. There are two directly featuring him, and a third, “I Love the Life I Live,” which is actually covered pitch-perfectly by Royal Crown Revue (anyone remember when swing music made a brief comeback in the 90s?).

    Allison’s lazy-feeling approach to singing is something of a motif throughout this compilation. Tom Waits is doing his bluesy piano bar thing here, with “New Coat of Paint.” Belle and Sebastian give a very talky account of a “Space Boy Dream,” and “Columbo’s Car” by Looper sounds more like a Scottish-inflected reading of a detective story than a song. The beat-poetry atmosphere is carried through by Donovan, with “Lord of the Universe,” from his aptly-titled album, “Beat Café.”

    The universe is another running theme here. Mose Allison has been doing some thinking about the nature of the universe, the Beatles go across it, and the Rolling Stones treat us to “2,000 Light Years From Home,” a song which is specifically mentioned in the Arctic Monkeys song above.

    Because we get St. Patrick’s Day in the middle of this month, I was trying to infuse the mix with a bit of a Celtic sound here and there. That’s the reason for the selection from the soundtrack for The Englishman Who Went Up a Hill and Came Down a Mountain — I know that movie took place in Wales, but that’s close! The soundtrack selection by John Williams from Spielberg’s 1941 brings us a bit more in range, as it includes a setting of the Irish folk song, “The Rakes of Mallow.”

    And there’s a third soundtrack entry here, the theme from Kelly’s Heroes, which is very martial, because, you know — March!

    Without further ado, here’s the link to the .zip download.


    Aimee Mann - One

    I’ve decided I’m going to try to put together a playlist each month of stuff I just happen to be into that month. I put this together in January, so we’ll call it the February mix. This month I’ll be putting together one for March, etc.

    In January, I watched a documentary about Harry Nilsson, so I had “Everybody’s Talkin’” and “One” on the brain. Toward the end of the month, Pete Seeger died, so I put “Turn! Turn! Turn!” on here, covered by the Byrds, in tribute to him. In general, this playlist was taking a very singer/songwriter turn, so I felt like Paul Simon, Don McLean, Randy Newman and Lou Reed (also recently passed) were all obvious choices.

    Then there’s a the third movement from Tchaikovsky’s piano concerto number 1 in B flat minor, because the other day I randomly started whistling that in the shower. So… you know. It’s a mixed bag!

    Download all 19 tracks as a .zip file, here.

    Today is the first day of my favorite season of the year, and I’m thrilled to have recently moved to New York, a city that actually gets autumn: for so many years, I’ve lived in cities with summer temperatures that extended deep into October, sometimes as far as November!

    To commemorate the season, I’m offering up this link to “Little Ghost Blues,” a mix of fall-inspired tunes.

    If this year’s summer mix was rock heavy, the fall collection is jazz-infused. Of course, there’s Louis and Ella singing “Autumn in New York.” But I’ve also been interested recently in how often Gershwin’s “Rhapsody in Blue” is used to capture New York life, whether in cartoon form or in classic celluloid. Here, Duke Ellington kicks things off with a distinctly burlesque rendering, while a more traditional version of Gershwin’s “An American in Paris” closes out the mix. In between, Tegan and Sara walk with a ghost, Jack White makes it with a ghost, poor Billie Holiday doesn’t stand a ghost of a chance with the object of her desire, and Sam Cooke blows smoke rings into Clifford Brown’s and Max Roach’s eyes. In addition to the White Stripes, this year’s collection features one half of the Black Keys (Dan Auerbach). Norfolk and Western turn up with “The Longest Stare” (last year’s fall mix featured their “Shortest Stare”). Rounding out the collection are Cab Calloway, Creedence Clearwater Revival, Frederic Chopin, and the Cold War Kids. It’s a menagerie as mottled and colorful as the autumn leaves themselves — sung about here (in French!) by Nat “King” Cole. Talk about an American in Paris.

    I hope you enjoy listening to the mix as much as I enjoyed putting it together.

    Is July 31st too late to offer up my Summer Sessions mix CD? Perhaps. I intended to finalize the track list and get this link posted on the first day of summer, back in June, but at the same time I was in the process of moving from Austin to New York. I’m now in Brooklyn, and finally able to spend a few minutes thinking about this mix, and felt it was better to offer it late than not at all.

    I call this one “Sea & Sidewalks,” and you might notice a bit of tension between the mellow surf sounds on tracks like “Following Waves” by the French Kicks, and the more taut urban (and suburban) soundscapes on tracks like the Lovin’ Spoonful’s “Summer in the City.” Still, for the most part, everything on this mix lilts along at an easy-going pace, which is somewhat surprising when you see artists listed on here with boisterous names like Shout Out Louds and Clap Your Hands Say Yeah (whose “Upon This Tidal Wave of Young Blood” contains some of my favorite lyrics).

    There are actually two tracks from the French Kicks, three from Arcade Fire, and two from film soundtrack composer John Williams, whose themes for 1975’s Jaws and 78’s Superman: the Movie are as inextricably bound up with summer as the blockbuster hits from which they hail. (Superman was actually released in the winter of 1978, but this summer saw an ambitious reboot of the superhero with Zack Snyder’s Man of Steel, so the musical callback seemed appropriate.) Even in the John Williams selections, we have the tension between the open (shark-infested) sea, and the bustling (crime-ridden) sidewalks of that city of cities, Metropolis.

    Also in the nautical camp, we have AWOLNATION’s “Sail,” and “Wave of Mutilation” by the Pixies (the UK Surf Mix presented here is way more sweet and listenable than the song’s title might lead you to imagine). On the metropolitan side of things, we have Unit 4 + 2’s “Concrete and Clay,” and “I Feel Free,” by the old Eric Clapton band, Cream.

    While we’re on the subject of cream, the Divine Fits treat us to the frozen variety, with “Like Ice Cream.” Mumm-Ra’s “She’s Got You High” is borrowed from the (500) Days of Summer soundtrack — and if there really are that many days of summer, this mix isn’t too late after all! It’s good for another year, at least!

    There are so many versions of the classic Cole Porter song, “Summertime,” that it’s pretty much a guarantee I’ll include it on every Summer Sessions mix that I put together, and this year’s is no exception: here, the Zombies seem just as inappropriately concerned with your father’s financial status while singing about the time of the season for easy living, as they were when they sang about the time of the season for loving.

    Providing another time-tested summer standard, and also inordinately interested in dad’s dollars, is Mungo Jerry with “In the Summer Time.”

    Last, but not least, to take us into that sweaty purgatory between summer and fall that are the months of August and September, there’s Coleman Hawkins blowing a very chill “Indian Summer.”

    I’ll see you again very soon with the 2013 Fall Collection!


    I apologize in advance for this post if you are a fan of typograpy and lack free time…

    Letter Cult have posted their Custom Letters, Best of 2012. Which is over 60 pages of amazing type and lettering. A real feast for the eyes, but it will take a while to get through. It’s split into 3 parts;

    Day 1, Day 2 and Day 3.

    The pictures above are some of my favorites from their selections, and are by; Mary Kate McDevitt, Jessica Hische, Darren Booth, Mary Kate McDevitt (could have posted way more of her work), Dan Cassaro and Craig Ward.

    (via leviathansociety)


    This transcript of George Lucas, Stephen Spielberg, and Larry Kasdan coming up with ideas for the Indiana Jones series is so engrossing. As I’ve mentioned before, those were some of my favorite movies as a kid (still are), and it’s almost unbelievable how many scenes are laid out word for word in this conversation they have. It’s also fascinating to see which ideas didn’t make it through. If you’re a fan of Indy, you’ll dig it. Be warned, though: it’s really long. 

    This is AWESOME. It’s easy to bag on George Lucas’s storytelling skills after the Star Wars prequels debacle, but this transcript shows him at the peak of his game. Although it is a little interesting how formulaic it is, how he’s reduced it to an equation where cliffhangers occur every twenty minutes, etc. The difference here, I suppose, is that he KNOWS it’s a formula, and embraces it, while a lot of “storytellers” today muck about with the pieces, and craft formulaic plots without really understanding the arithmetic of what they’re doing. Like their craft or not, Lucas and Spielberg are irrefutable masters of it.

    It’s interesting to spot which things manifest themselves in Raiders part and parcel (like the famous rolling boulder sequence), and which things sort of fell by the wayside or trickled down into the sequels: all the Orientalism and Shanghai scenes from Temple of Doom, the Marlene Dietrich-style German double-agent in Last Crusade, etc.

    And speaking of romantic foils for Indiana, it’s fun to watch these guys stumble all around the Marion character, who turns out to be not only the best “Indy girl,” but one of the cinema’s most indelible heroines ever. In the end, it’s Lawrence Kasdan who finally zeroes in on the mentor’s daughter with a crucial piece of the map, tending bar in Nepal. Essentially, they have written Bogart’s “Rick” from Casablanca to be the love interest to Bogart’s “Dobbs” from Treasure of the Sierra Madre!

    (via moncabinetdecuriosites)


    1. The Corrections, Jonathan Franzen (2001)
    2. The Human Stain, Philip Roth (2000)
    3. The Road, Cormac McCarthy (2006)
    4. White Teeth, Zadie Smith (2000)
    5. True History Of The Kelly Gang, Peter Carey (2000)
    6. 2666, Roberto Bolaño (2008)
    7. Tree Of Smoke, Denis Johnson (2007)
    8. Everything Ravaged, Everything Burned, Wells Tower (2009)
    9. Fortress Of Solitude, Jonathan Lethem (2003)
    10. Pastoralia, George Saunders (2000)
    11. Runaway, Alice Munro (2004)
    12. Austerlitz, W.G. Sebald (2001)
    13. Cloud Atlas, David Mitchell (2004)
    14. Gilead, Marilynne Robinson (2004)
    15. The Art Of Fielding, Chad Harbach (2011)
    16. Netherland, Joseph O’Neill (2008)
    17. The Brief Wondrous Life Of Oscar Wao, Junot Diaz (2007)
    18. The Line Of Beauty, Alan Hollinghurst (2004)
    19. Saturday, Ian Mcewan (2005)
    20. The Yellow Birds, Kevin Powers (2012)
    21. The Namesake, Jhumpa Lahiri (2003)
    via GQ

    Well I’ve read three of these. I’d better get crankin’.

    Click the link to download a zip file with this year’s spring music mix, “Spring Sermon.”

    Hold on tightly, because this one really is a mix-up: Duke Ellington plays Grieg, while Itzhak Perlman plays Gershwin. Arcade Fire and the Turtles wax nostalgic and satirical (respectively) on the theme of suburbs. Sister Ella preaches on the topic of sin (in case you’re wondering, she’s again’, not for) and Sister Dusty expounds on the decidedly worldly allure of a certain preacher’s son. Meanwhile, ol’ Rev. Blue Eyes advises us to turn our umbrellas upside down to accept blessings in disguise, while Brother Louis takes us way back to the Old Testament with the story of Shadrach, Meschach, and Abednego. Brothers Bobby, Billy and Bruce each get their turn at the pulpit, and even the Beach Boys get into the spirit of things, purporting to know The Answer — although one suspects it has more to do with bikinis, deuce coupes, and waves than it does with that other Trinity. And, no, that’s not Bernard Herrmann’s score for the opening title sequence from Psycho, but the equally savage and blood-soaked sacrificial dance from Stravinsky’s Rite of Spring. As jarring as it may be, the award for most surprising track on here has to go to the Temptations (and what collection of sermons would be complete without those?) singing “My Girl” auf Deutsch — I bet you can still sing along, though! Even the Fits on this mix are Divine. So whether this season means Passover, Easter, or Cancun to you, the perfect musical accompaniment is a click away…

    "Holiday Mix" might be a bit of a misnomer: in fact, I specifically stripped this mix of any Christmas-specific songs. No carols or hymns; no secular Santa songs. Ok, there is "Baby, It’s Cold Outside," but that doesn’t really reference a particular holiday. It’s probably better to think of this as a winter mix that is simply being offered to you in the spirit of the season.

    The musical selection here ranges from old school rock to new school rock, from big band jazz to a track from Star Wars (because I’m a dork like that). You’ll hear Radical Face and Faces on Film. You’ll hear two Matts: Matt Costa and Matt Pond PA. You’ll hear Arctic Monkeys, Dr. Dog, and two mononymous artists — Beck and Feist — as well as a dozen others.

    So hurry up and download this before the world ends! And if that doesn’t happen, these tunes are meant to accompany your winter long after “Rudolph the Red-Nosed Reindeer” has become passé.


    Experimental Photography

    A selection of atmospheric photography by David Keochkerian. The photographer is playing with different effects such as long exposure, manual blending or infrared photography to create such surrealist views of landscapes and architecture.

    More experimental photographs by David Keochkerian on WE AND THE COLOR
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    Photoshop Etiquette

    Not that any of my followers need this advice, but you may enjoy nodding your head vigorously in agreement.

    If anyone is interested, here’s the link to download my Fall Collection music mix, featuring tracks by the Shins, Ray LaMontagne, the Jam, Ben Howard, and Tommy Dorsey with Frank Sinatra, among others. 20 tracks in all.

    Sorry there’s no album artwork to go along with this; maybe for the next mix I put together.

    Happy listening, and happy autumn!


    A wonderful video of Pentagram designer, Daniel Weil’s sketchbooks. I found it in the middle of some work-related research and it’s just a good reminder that some of the best things you find aren’t even the things you were originally looking for and that all things, no matter how disparate, are inevitably linked. 

    (via swissserif-deactivated20140402)

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